#47: The Matrix

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Are you a virus? A disease? Then that means you're a human being, at least according to Agent (Weaving) Smith. 

Today, dear Snobfriend, join us for revelry and laughs as we Snob deep into the rabbit hole that is, The Matrix. Directed by the Wachowskis, The Matrix is much better than than bad movie, Inception. Perhaps the movie referenced the most on General Snobbery, The Matrix addresses deep questions of knowledge and being, including how the hell we know who the hell we are. And, there's Kung Fu. 

Sean and Matt are joined by guest and fellow Snob, Aidan, whose vast knowledge of The Matrix guides the conversation like Morpheus guiding Neo during that cool as fuck fighting sequence and that dope ass jumping test.

What can truly be said about The Matrix? What can be said about knowledge? What can be said about the world in which we live? Remarkably, less than we think. And that's a good thing. After all, Cypher thought he knew a lot and he got blown away by a ray gun. What a dick! 

Please, join Sean, Matt, Aidan, Neo, Trinity, Morpheus, Tank, and most of all, Mouse as we seek to battle the Agent Smiths that exist in the world and seek to keep our minds hardwired to those things which stifle our humanity. Snob on!

#45: Disney, Marvel, and the Seven Faces of John Boyega

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In the image you see, John Boyega (Star Wars: The Force Awakens) has seven faces. Each one is smaller than the one before. This is an image that Matt made, and ever since that moment, it has baffled both of us. It appears boundlessly significant, and yet, time and time again, we are left with the question: what does it mean? 

In today's snob, we delve deeply into these many Boyega faces, contemplating possible meanings ranging a diverse spectrum. We consider the suggestions provided by some of our beloved listeners, such as Amanda Pumpkins' connection to René Magritte's classic painting The Son of Man. What does it mean when the apple becomes a tiny Boyega face? 

In a shocking turn of events, Boyega's many faces ultimately leads us to a new chapter of this snobbing endeavor: the felt responsibility to watch every single film of the Marvel Universe, from beginning to end, and snob about them as we go. For we have grown suspicious of Empire Disney and Darth Marvel, and we must learn more of what mysterious signs they are providing. For perhaps only in so doing may we discover the truth behind the layers of Boyega and glimpse the appearance behind the apple. 

We intend to approach this mission with the concentration and patience of Tibetan monks creating sand mandalas, like those in the video below. We know that this endeavor will challenge us, and perhaps it will damage our psyches to an irreparable degree. But we must continue the search, and we must discover the truth of Boyega. He may be mankind's last hope. 

#44: Armageddon

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Your daily life is simple.  It is idealistic.  Your values are strong and your morals are sound.  There is no reason, you think, that you and everything you know should be wiped out in a matter of seconds.  Too fucking bad asshole.  You're going to die!

UNLESS!

Here's Bruce Willis (aka Michael Bay) hitting golf balls at liberals

Harry Stamper was just a blue-collar oil driller.  He was smart, damn good at his job, and absolutely hated liberals of every kind.  He had a rag-tag team of strong Duncans and smart Wilsons.  All he wanted in his life was to run his rig, care for his daughter, and push his conservative agenda.  Too fucking bad asshole.  You're going to save the world!

Armageddon is a baffling film.  It is horribly written, way to long, and espouses a stringent form of conservative ideology that exists in the realm of nostalgia-worship.  When an asteroid the "size of Texas" is headed toward your home, you suddenly realize that the ways things used to be seem a lot more appealing than the ways they are going to be.  Catch our drift?  Michael Bay basically said earth represents conservative values and the asteroid represents liberal values.

Sean and Matt attempt to drill to the core of this movie, a movie that has so much that can be said about it that it is almost impossible to say anything at all about it.  A true anomaly of a film.

Michael Baby with his toy

At the core of this film is not a nuclear bomb, it is Michael Bay.  Actually, Michael Bay basically is a nuclear bomb in that both cause destruction and their proliferations are a question of morality.  The Man-child, Michael Bay, becomes a strong point of discussion in this Snob.  As always, Sean and Matt consider his intention, maturity, and whether he has absorbed the person of Jerry Bruckheimer.  (It is quite possible Michael Bay keeps Jerry Bruckheimer in a cage in his Ford Mustang garage, only letting Jerry out occasionally to do movie promotions.  To reference a film with much deeper themes, Jerry Bruckheimer is basically Michael Baby's Manchurian Candidate).

If there is a redeeming light in this particular Snob, it is the brief reference to our personal friend, Jake Busey.  Aside from that, another triumph is when Sean and Matt realize they never have to watch this shit-film (probably scheizefilmische) ever again.  The truth of Being-Toward-Explosion (Sein Zum Explosion (yes, the English and German are the same)), remains O so real! Non-American directors seek to highlight profound questions in their action movies whereas American directors seek to highlight their sweet space suits. 

Strap in, fight your space dimentia, and load your mini gun. We got somethin' big coming up. Zero Barrier!

Fuck you!